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\r\n \"\"<\/a> <\/div>\r\n \r\n\t\t \r\n\t\t
\r\n Dan Halter dialogue<\/a>\r\n <\/div>\r\n \r\n\t\t
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IASPIS open studios Sept. 17-23<\/p>\n <\/div>\r\n \r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a> <\/div>\r\n \r\n\t\t \r\n\t\t
\r\n Human-Material seminar<\/a>\r\n <\/div>\r\n \r\n\t\t
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zoom September 9th @ 5.30 CET<\/p>\n <\/div>\r\n \r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a> <\/div>\r\n \r\n\t\t \r\n\t\t
\r\n Luam Melake<\/a>\r\n <\/div>\r\n \r\n\t\t
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forthcoming Artskop3437<\/p>\n <\/div>\r\n \r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a> <\/div>\r\n \r\n\t\t \r\n\t\t
\r\n Alpha Crucis @ Astrup Fearnley, Oslo<\/a>\r\n <\/div>\r\n \r\n\t\t
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forthcoming review Artskop3437<\/p>\n <\/div>\r\n \r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a> <\/div>\r\n \r\n\t\t \r\n\t\t
\r\n Meaningful Craft<\/a>\r\n <\/div>\r\n \r\n\t\t
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Norwegian Crafts & Kunsth\u00e5ndverk<\/p>\n <\/div>\r\n \r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a> <\/div>\r\n \r\n\t\t \r\n\t\t
\r\n Kustaa Saski @ Format, Oslo & Anne Wilson @ Rhona Hoffman, Chicago<\/a>\r\n <\/div>\r\n \r\n\t\t
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forthcoming reviews TEXTILE journal<\/p>\n <\/div>\r\n \r\n <\/div>\r\n<\/div>

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\r\n Athi-Patra Ruga @ WHATIFTHEWORLD, Cape Town<\/a>\r\n <\/div>\r\n \r\n\t\t
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exhibition review Artskop3437<\/p>\n <\/div>\r\n \r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a> <\/div>\r\n \r\n\t\t \r\n\t\t
\r\n In a Cloud, In a Wall…<\/a>\r\n <\/div>\r\n \r\n\t\t
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Journal of Modern Craft (2020)<\/p>\n <\/div>\r\n \r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a> <\/div>\r\n \r\n\t\t \r\n\t\t
\r\n To Recap: 2015-2020<\/a>\r\n <\/div>\r\n \r\n\t\t
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Fiberspace, Stockholm catalogue<\/p>\n <\/div>\r\n \r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a> <\/div>\r\n \r\n\t\t \r\n\t\t
\r\n Vincent Rumahloine<\/a>\r\n <\/div>\r\n \r\n\t\t
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interview in C& (July 2020)<\/p>\n <\/div>\r\n \r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a> <\/div>\r\n \r\n\t\t \r\n\t\t
\r\n Thoughts from a Slow Internet in Spanish Lockdown<\/a>\r\n <\/div>\r\n \r\n\t\t
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Objectspace (June 2020)<\/p>\n <\/div>\r\n \r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a> <\/div>\r\n \r\n\t\t \r\n\t\t
\r\n “Real Physical Labor”<\/a>\r\n <\/div>\r\n \r\n\t\t
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essay: Hungarian translation (2020)<\/p>\n <\/div>\r\n \r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a> <\/div>\r\n \r\n\t\t \r\n\t\t
\r\n Pacita Abad<\/a>\r\n <\/div>\r\n \r\n\t\t
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SDJ exhibition review (fall 2020)<\/p>\n <\/div>\r\n \r\n <\/div>\r\n<\/div>