Interviews (15) Exhibition Reviews (137) Articles (178) Book Reviews (28) Catalogue Essays (42) Academic Writing (9) Renstrom: archive of instinct Christien Meindertsma Richard Saja Dulur: Anna Þóra Karlsdottir How Things Get Made How do you Footnote a Smile? Vitamin T: threads & textiles in contemporary art The Textile Traveller Floppy Cloth: textile exhibition strategies inside the white cube Iris van Herpen Knitting after Making the smallness of craft Navigating Cultural Threads “Real Physical Labor” essay Seeing Things Lisa Oppenheim & Derrick Adams SDJ exhibition reviews Can That Be Taught? Textual Agency: pitfalls & potentials Please enable JavaScript to properly view this page. Renstrom: archive of instinct Christien Meindertsmaforthcoming article for Talking Textiles (2019) Richard Sajaforthcoming article for Jugular Magazine 2019 Dulur: Anna Þóra Karlsdottircatalogue essay 2019 How Things Get MadeShales & Hemmings interview Norwegian Crafts How do you Footnote a Smile?Hemmings & Nordström (TEXTILE: the journal of cloth & culture) 2019 Vitamin T: threads & textiles in contemporary artbook review Selvedge Magazine 2019 The Textile TravellerBrownGrotta Arts catalogue 2019 article in Norwegian Crafts Floppy Cloth: textile exhibition strategies inside the white cubeTEXTILE: the journal of cloth & culture (2019) Iris van Herpenexhibition review in Fashion Theory Knitting after MakingTEXTILES, COMMUNITY & CONTROVERSY (Bloomsbury: 2019) the smallness of craftJournal of Craft Research Vol. 9, No. 2, 2018 Navigating Cultural Threadscatalogue essay TexteilMuseum, Tilburg book review Crafts magazine Nov./Dec. 2018 “Real Physical Labor” essayHungarian translation Seeing Thingscatalogue text for Threads Lisa Oppenheim & Derrick Adams SDJ exhibition reviewsMCA Denver, Colorado Can That Be Taught?A Companion on Contemporary Craft (Wiley Blackwell: 2020) Textual Agency: pitfalls & potentialsforthcoming chapter (Bloomsbury: 2020) Contemporary Twist with IkatPulse magazine Hannah Ryggenreview Textile: journal of cloth & culture Birgitta NordstromSelvedge magazine issue 80 (2018) Hildur Bjarnadottirarticle published with Norwegian Crafts (2018) mud clothtext commissioned by TOAST Wings of a Ragtag QuestTEXTILE: cloth & culture (volume 16 issue 1) Pleasures & MisdemeanoursConfabulations of Millennia Double DutchSelvedge Magazine issue 78 (2017) Textiles, Taxes & TranslationsAarhus Art Gallery, Denmark (2017) Jessica Ogden: StillGarland 2017 Christien MeindertsmaSelvedge Magazine 2017 Kimsooja Out of Hand (Sydney) review Louise Bourgeois (Denmark)TEXTILE: journal of cloth & culture Liza LouSurface Design Journal 2017 Gaolbreak: Angela Fulcher Christian Thompson review Unlearning Optical IllusionsNorwegian Crafts Mending FashionSurface Design Journal 2016 Kimsooja MMCA Seoul Contextile Portugal review Hangzhou Triennial 2016 yellow, weaving & rubble Zakka: Goods & Things, Tokyo P. Hellsing & Conceptual Fatigue Doris Salcedo review Fiber KANEKO Nebraska Philosophy: Korean label OmaSelvedge Magazine 2016 J. Morgan Puett: Labor Portraits What Do I Need to Do to Make It OK? Maggie Orth interview Kudzanai Chiurai www.makebelieve.iethinking, ranting, making, struggling & musing Bauhaus Weaving Theory Kustaa SaksiSelvedge Magazine 2015 Signature Cloths review Gabrielle SoyerSelvedge Magazine 2015 Women in Clothes book review The Future of Fashion is Now & Building with Textiles The Needle's Eye review Slow LookingFABRICation catalogue Form through Colour Faig Ahmed in Surface Design Journal Toshiko MacAdamSelvedge Magazine 2014 Sleeping NetsSelvedge Magazine Kate MccGwire article in SDJ Maison Legeron Knitting and Well-being article publishedTextile: The Journal of Cloth & Culture Crafting Words lecture in Materiality Matters Threaded Stories review Neck Plus Ultra: Henrik Vibskov review Textile Visionaries (Laurence King) book review Studio Formafantasma at MAK, Vienna review Tapis et Tapisseries D'Artistes catalogue essay Lucy McKenzie at the Stedelijk Museum, Amsterdam Collaboration through Craft (Bloomsbury) Couriers of Taste, Danson House, England Craft and Communication: Still Much to Learn Textile Art: some prickly facts El Anatsui: Art & Life (Prestel) Mary Lloyd Jones Trading Style, Weltkulturen Museum, Frankfurt Finding the right language for things Future Beauty? Crafts Council Ireland Aboubakar Fofana Jon Eric Riis Tapestries Eleri Mills: a longing for landscape Cotton: Global Threads, Whitworth Art Gallery, Manchester Gali Cnanni A Culture of Looking2012 SOFA New Voices research grant Red Alert: Neeru Kumar's Passion for Crimson Textiles Material Translations: Japanese Fashion, Art Institute of Chicago Arthur Bispo do Rosario, V&A, London Chihuly: Garden & Glass, Seattle, Washington Michael Brennand-Wood, Ruthin Craft Centre, Wales A Sense of Place, National Museum of Scotland, Edinburgh Quiet Spaces: Anne Kyyro Quinn Yohji Yamamoto (preview), Design Museum, Holon, Israel Olek, Tony's Gallery, London Kaunas Textile Biennial, Lithuania Fashioning the Object: Bless, Boudicca, Backlund @ Art Institute of Chicago Inhale/Exhale New African Fashion (Prestel) African Textiles Today (British Museum Press) Vlisco Wax Resist FabricsSelvedge Magazine issue 50 Jeanette Sendler @ Collins Gallery, Glasgow Priya Ravish Mehra: Witness to the Invisible Barnaby Barford: The Big Win, Laing Art Gallery, Newcastle Walter Van Beirendonck, MoMu Fashion Museum, Antwerp, Belgium i Fabric: European Talent, Textielmuseum Tilburg, The Netherlands Extra/Ordinary: Craft and Contemporary Art (Duke U P) Heirlooms (preview), Dovecot Studios, Edinburgh Threads of Feeling, Foundling Museum, London Francoise Dupre: Pattern, Feminism & Hope Sheila Hicks: 50 Years Lace as structural solution Quilts 1700-2010, Victoria & Albert Museum, London Textile Futures: Fashion, Design & Technology (Berg) Tilleke Schwarz, Ruthin Craft Centre, Wales Bezalel: Doing Not DreamingCrafts Magazine 2010 Stephen Jones & the Accent of Fashion, MOMU, Antwerp The Constellation Prize: Jimmy McBride's quilts A Certain Kind of Judgement Taking Time: Craft and the Slow Revolution, Dovecot Tapestry Studio, Edinburgh Karina Thompson: Digital Intervention String, Felt, Thread: The Hierarchy of Art and Craft in American Art (U of Minnesota) ArtCloth, Fairfield City Museum, Sydney, Australia Sitting & Looking, Dovecot Tapestry Studio, Edinburgh Anna Von Mertens: Emanations in Cloth Kristine Fornes Innate Portability Fancy Stitch South Africa Japanese Sashiko Textiles, Collins Gallery, Glasgow Alabama Chanin: Hand-Sewn in America Extraordinary Measures, Belsay Hall, Northumberland Reflections on “Upcycling Textiles” Textile Designers at the Cutting Edge (Laurence King) Contemporary Textiles: the fabric of fine art (Black Dog Publishers) Maurizio Anzeri Paper Dreams: Su Blackwell Mariem Besbes Fashion in Fiction: Text and Clothing in Literature, Film & Television (Berg) Weaving Truth: Essays on Language and the Female in Greek Thought (Harvard U P) Commonly Felt: The Oldest Smart Textile Rozanne Hawksley, Mission Gallery, Swansea A Vivid Vocabulary Follow a Thread: Anna Ray A Stubborn Imagination: Nnenna Okore Meet Your Maker, National Museum of Scotland, Edinburgh Mary Lloyd Jones, Ruthin Craft Centre, Wales Su Blackwell, Scottish Gallery, Edinburgh Ministry of Sound: Louisa Bufardeci Recycle, Keep & Grow: Sustainable Design Stroud International Textile Festival (preview), Museum in the Park, Stroud Art Tapestry 2 Ana Maria Hernando Follow a Thread, Dovecot Tapestry Studio, Edinburgh Eva Hesse Studiowork, Fruitmarket, Edinburgh Shiny, Happy People: Carrington, Larkin & Coward Henry Moore Textiles, Dovecot Tapestry Studio, Edinburgh Michael Olszewski: His Dark Materials Sera Waters: The Dark Side Nicholas Hlobo: Uhambo, Tate Modern, London Annette Messager, The Hayward, London Deirdre Nelson: Arcadia Commission Cocona Natural Technology New & Norwegian: A World of Folk, Stavanger Devorah Sperber: Pixel Perefect Alice Kettle, Belger Arts Center, Kansas City Art Tapestry 2: European Tapestry Forum, Bergen, Norway Beyond the Function of Making, the Process of Making Handmade Nation: Rise of DIY, Art, Craft, and Design (Princeton Architectural Press) Nnenna Okore: Ulukububa, October Gallery, London Desconocida: Unknown, University of Creative Arts, Epsom Norwegian Fashion Designs, Museum of Decorative Arts, Oslo Deirdre Nelson: tales of the unexpected Lacey Jane Roberts & Sophie Horton Persistent Visions: Andrea Dezso Seamless: Dutes Miller & Stan Shellabarger Angaza Africa: African Art Now by Chris Spring Yinka Shonibare (Prestel) The Diana Springall Collection Anthea Walsh: line of enquiry Tanvi Kant: working with little Liz Williamson & Sara Linsday Jo Barker, Scottish Gallery, Edinburgh Ties that Bind: Paulina Ortiz Fabric of Myth, Compton Verney, Warwickshire Tara Donovan, ICA, Boston Rebecca Earley Upcycles Style Home Sweet Home: Michelle Loughlin Another Girl in the Neighbourhood Maison Martin Margiela 20, MOMU, Antwerp Object as Muse, Discovery Centre, Winchester Mechanical Drawing: The Schiffli Project Stitching Stories: Garfen, Dezso & Cogan Ase Ljones: a delicate touch Get Knitted, Millenium Gallery, Sheffield Textiles Today: a global survey of trends and traditions Loops / Map / Fibre / Weave / Buttons / Now Wool 100% Marizio Anzeri: Tales of the Unexpected Philippa Lawrence: Ways of Seeing Cloth & Culture NOW, Sainsbury Centre, Norwich Deirdre Nelson: Patience, Compassion & Empathy An Embroiderer’s Eye: the Diana Spingall Collection Marian Bijlenga: Drawing on Nature Cloth & Culture NOW, Sainsbury Centre, Norwich Dirty Beauty Virtual Fabrics & Perishable Maps By Hand: The Use of Craft in Contemporary Art (Princeton Architectural Press) Lausanne to Beijing Fiber Biennial, Suzhou, China Jennifer Angus: Super Bugs Suspended in Time: Helene Soubeyran Sustainable Fashion Lycia Trouton: Irish Linen Memorial Janet Echelman: Net Work Hilary Bower: Bleak & Beautiful Alice Kettle: Telling Stories With Their Eyes The Intelligence of Plants Yinka Shonibare: Postcolonial Hybrid Batik Transitions, Worthing Museum & Art Gallery, West Sussex Jane Kenyon: Surgical Thread Clio Padovani in conversation with Jessica Hemmings Carol Collet: breaking smart-textile stereotypes Rowena Dring: A Question of Perception NUNO: Tradition & Technology Cocooned/White/Reflection Reeling in the Years: Film, Video, Textile, Time Staying the course: all things Equestrian Could You Repeat That? Simone Pheulpin Laura Nathan: Experiments with Soap & Hair Maxine Bristow: Everyday Inspirations Salt: A taste of England Kay Khan: Vessels of Meaning Mariel Clarmont's Miniature Cosmos Sheila Hicks: Weaving as Metaphor Uncomfortable Truths, V&A, London Mariem Besbes Laura Willits: Beading Light & Dark Tilleke Schwarz: Maps of Modern Life Out of the Ordinary: Spectacular Craft, V&A, London Charla Khanna Barley Massey: Eclectic Eco Designer Pixelation Makes its Point Radical Lace & Subversive Knitting, MAD, New York Jane Harris: Motion Capture Restoration Marina Dempster: Markings in Yarn Caroline Broadhead: interrupted gaze Indigo: A Blue to Dye For, Whitworth, Manchester Future, Past & Present: NUNO Julia Griffiths Jones: Metal Guru Face Value: Lotus Peles-Chen Relationships: Focus Finland, Grace Barrad Design Center, Surrey Caroline Broadhead, Barret Marsden, London Sally Greaves-Lord's Walls of Colour Threadbare Beauty: Worn Away Patterns Threadbare, Waterside Arts Centre, Manchester Kori Newkirk: Painter without Paint Missing Piece: Jen Jones Welsh Quilts Hannah Greenaway's Knitted Busts Maxine Bristow: Sensual Austerity, The Hub, Sleaford Suzanne Lee Mark Pollack Fragile Beauty: Veronica Grassi John Hinchcliffe, Crafts Study Centre, Farnham Sense of Identity: Contemporary Scottish Textiles Marie-Noelle Fontan: Collections Woven Edun Live Association of Israel's Decorative Arts PLA Fibre in Textiles: Corn on the Job Museum Interventions Linda Grashoff: Photographs Made Tactile Poems to Wear, Myrna Myers Gallery, Paris Rob Sidner of Mingei International Museum Turning the World Upside Down: Peter Clark Digital Perceptions: Technology as Tool Polished Light Marie-Laure Ilie Kazuhito Takadoi: Organic Patterns Claire Heminsley: Rooted in the Everyday Making the Transition: Five RISD Graduates Sign Post to a New Space International Arts & Crafts Julia Griffiths Jones Second Skin Eileen Gray: A Foothold in History Dr Andrew Dent of Material ConneXion Child's Play: Maggy Rozycki Hiltner Knowear: Human Billboards Ramses Wissa Wassef Art Centre, Egypt Maggie Orth of International Fashion Machines Quilts: Joan Schulze Jerwood Applied Arts Prize 2005: Metal Nicola Naismith Real Physical Labor, Material Understanding and the Wisdom of the Weaver’s Hands Jilly Edwards: Off the Wall Show Time Festival of Quilts Nui Project Japan Artwear: Fashion & Anti-fashion Stones & Fibre: Sue Lawty Bleu d'Enfer Import Export & Global Local Jil Weinstock: Revealed in Rubber Mical Aloni: Riches of Stitches Yohji Yamamoto: Dream Shop Lucy Orta: Adorned in Ideas Yohji Yamamoto phora by Anne Hamilton Well Fashioned: Eco Style in the UK Boys Who Sew Mike Mills: a thumb in every pie Olga de Amaral Tim Harding: The Fabric of Our Lives Not-So-Pretty Paper Historically Inaccurate Decorative Arts 2121: Reiko Sudo & NUNO Fostering Dialogue: Wearable Futures Conference Galya Rosenfeld Islamic Project: Oasis Maria Blaisse Rebecca Lyon: Shielding the Torso Defining a Movement: Textile & Fibre Art The Medium is the Message: Simone Pheulpin Knit 2 Together: Concepts in Knitting Paradise Lost? contemporary toile de Jouy Greek Myths by Carol Shinn & Alice Kettle Snapshot in Stitch: Maria E. Pineres Anna Von Mertens: Black & White, Shades of Grey El Anatsui: Forging Fabrics of Tin Chunghie Lee: multiple layers Jeanette Sendler: the thin red line Zandra Rhodes: A Lifelong Love Affair with Textiles Spectres: When Fashion Turns Back Interface: An Exhibition of International Contemporary Art Textiles Elaine Reicheck: Do the Write Thing Suspensions: Anne Mudge PURL: six artists inspired by MoDA's collections Cristin Searles: On the Sculpture Trail Michael Brennand-Wood Susan Stockwell: Revisiting the Colonial The Way of Some Flesh Myra Burg: California Dreaming Louise Bourgeois: Stitches in Time Pain Couture by Jean-Paul Gaultier Fiberart International Horses: Circling the World Dosa: deliberately different Words are not enough: textile narrative Annette Messager: sous vent (wind back) Alice Kettle's Mythscapes Anna Von Mertens' Conceptual Craft Barbara Chapman: Suspension of Disbelief Embroidered Art of Tilleke Schwarz A Bridge Between Britain and Japan: through the surface The Space Between Conference Sharon Peoples, Catherine K., Zoe MacDonnell Candy Kuhl: Assemblage & Artist's Books Beth Barron: Gathering Histories Julie Ryder's Samplers of Stains Shadows and Shibori: Marie-Helen Guelton Do-Ho Suh Assemblage and Artists' Books Postcolonial Discourse in Garment Form Telephone: Artists Connect to Artists Tom Lundberg: Contemporary Narrative Samplers Quilt Bonanza: Kaffe Fassett's Collection of Quilts & Costumes Raveled Yarns and Navajo Blankets Shibori on Knits Jilli Blackwood: The Joy of Living Wearable Art & Conceptual Clothing Textiles that Glow Nicole Mollett: Wear Ables A Fine Line: Anne Wilson Profile Contemporary Interpretations of Pojagi Mirja Puppel: Momentary Beauty Silk Dichotomies Kaffe Fassett Weaving the Word & Architecture and the Text Deirdre Nelson: My Dear John and Lush Betty The Joy of Living: Jilli Blackwood NUNO: Japanese Innovation Pattern Crazy Telephone: Artists Connect to Artists re:design NUNO Books (NUNO Corporation) Dresses Woven to Fit: Gabriele Wiegand Fibre and Slate Sculpture of Francoise Giannesini Scrapheap Challenge: Carol Shinn's Embroidery Hair & Contemporary Fibre Art Tracey Emin: Stitching Up the Extreme Threads of Memory: Contemporary Narrative Textiles New at NUNO Beth Nobles Yuh Okano: Tradition and Technology Anne Mudge: TapRoots Paula Santiago: Septum Congruity in Nature… The Patterns We Find Reinventing Textiles Volume 2 Words & Textiles Tilleke Schwarz: Bombarded with Data Jackie Matisse: Art that Soars John Garrett Retrospective Review Beyond Thread Liz Collins: Between Chaos and the Functional Anne Marie Power and Anne Wilson (Telos Art Publishing) Inspired by Ikat: Contemporary Casement Fabrics Loading... Renstrom: archive of instinct Christien Meindertsmaforthcoming article for Talking Textiles (2019) Richard Sajaforthcoming article for Jugular Magazine 2019 Dulur: Anna Þóra Karlsdottircatalogue essay 2019 How Things Get MadeShales & Hemmings interview Norwegian Crafts How do you Footnote a Smile?Hemmings & Nordström (TEXTILE: the journal of cloth & culture) 2019 Vitamin T: threads & textiles in contemporary artbook review Selvedge Magazine 2019 The Textile TravellerBrownGrotta Arts catalogue 2019 article in Norwegian Crafts Floppy Cloth: textile exhibition strategies inside the white cubeTEXTILE: the journal of cloth & culture (2019) Iris van Herpenexhibition review in Fashion Theory Knitting after MakingTEXTILES, COMMUNITY & CONTROVERSY (Bloomsbury: 2019) the smallness of craftJournal of Craft Research Vol. 9, No. 2, 2018 Navigating Cultural Threadscatalogue essay TexteilMuseum, Tilburg book review Crafts magazine Nov./Dec. 2018 “Real Physical Labor” essayHungarian translation Seeing Thingscatalogue text for Threads Lisa Oppenheim & Derrick Adams SDJ exhibition reviewsMCA Denver, Colorado Can That Be Taught?A Companion on Contemporary Craft (Wiley Blackwell: 2020) Textual Agency: pitfalls & potentialsforthcoming chapter (Bloomsbury: 2020) Contemporary Twist with IkatPulse magazine Hannah Ryggenreview Textile: journal of cloth & culture Birgitta NordstromSelvedge magazine issue 80 (2018) Hildur Bjarnadottirarticle published with Norwegian Crafts (2018) mud clothtext commissioned by TOAST Wings of a Ragtag QuestTEXTILE: cloth & culture (volume 16 issue 1) Pleasures & MisdemeanoursConfabulations of Millennia Double DutchSelvedge Magazine issue 78 (2017) Textiles, Taxes & TranslationsAarhus Art Gallery, Denmark (2017) Jessica Ogden: StillGarland 2017 Christien MeindertsmaSelvedge Magazine 2017 Kimsooja Out of Hand (Sydney) review Louise Bourgeois (Denmark)TEXTILE: journal of cloth & culture Liza LouSurface Design Journal 2017 Gaolbreak: Angela Fulcher Christian Thompson review Unlearning Optical IllusionsNorwegian Crafts Mending FashionSurface Design Journal 2016 Kimsooja MMCA Seoul Contextile Portugal review Hangzhou Triennial 2016 yellow, weaving & rubble Zakka: Goods & Things, Tokyo P. Hellsing & Conceptual Fatigue Doris Salcedo review Fiber KANEKO Nebraska Philosophy: Korean label OmaSelvedge Magazine 2016 J. Morgan Puett: Labor Portraits What Do I Need to Do to Make It OK? Maggie Orth interview Kudzanai Chiurai www.makebelieve.iethinking, ranting, making, struggling & musing Bauhaus Weaving Theory Kustaa SaksiSelvedge Magazine 2015 Signature Cloths review Gabrielle SoyerSelvedge Magazine 2015 Women in Clothes book review The Future of Fashion is Now & Building with Textiles The Needle's Eye review Slow LookingFABRICation catalogue Form through Colour Faig Ahmed in Surface Design Journal Toshiko MacAdamSelvedge Magazine 2014 Sleeping NetsSelvedge Magazine Kate MccGwire article in SDJ Maison Legeron Knitting and Well-being article publishedTextile: The Journal of Cloth & Culture Crafting Words lecture in Materiality Matters Threaded Stories review Neck Plus Ultra: Henrik Vibskov review Textile Visionaries (Laurence King) book review Studio Formafantasma at MAK, Vienna review Tapis et Tapisseries D'Artistes catalogue essay Lucy McKenzie at the Stedelijk Museum, Amsterdam Collaboration through Craft (Bloomsbury) Couriers of Taste, Danson House, England Craft and Communication: Still Much to Learn Textile Art: some prickly facts El Anatsui: Art & Life (Prestel) Mary Lloyd Jones Trading Style, Weltkulturen Museum, Frankfurt Finding the right language for things Future Beauty? Crafts Council Ireland Aboubakar Fofana Jon Eric Riis Tapestries Eleri Mills: a longing for landscape Cotton: Global Threads, Whitworth Art Gallery, Manchester Gali Cnanni A Culture of Looking2012 SOFA New Voices research grant Red Alert: Neeru Kumar's Passion for Crimson Textiles Material Translations: Japanese Fashion, Art Institute of Chicago Arthur Bispo do Rosario, V&A, London Chihuly: Garden & Glass, Seattle, Washington Michael Brennand-Wood, Ruthin Craft Centre, Wales A Sense of Place, National Museum of Scotland, Edinburgh Quiet Spaces: Anne Kyyro Quinn Yohji Yamamoto (preview), Design Museum, Holon, Israel Olek, Tony's Gallery, London Kaunas Textile Biennial, Lithuania Fashioning the Object: Bless, Boudicca, Backlund @ Art Institute of Chicago Inhale/Exhale New African Fashion (Prestel) African Textiles Today (British Museum Press) Vlisco Wax Resist FabricsSelvedge Magazine issue 50 Jeanette Sendler @ Collins Gallery, Glasgow Priya Ravish Mehra: Witness to the Invisible Barnaby Barford: The Big Win, Laing Art Gallery, Newcastle Walter Van Beirendonck, MoMu Fashion Museum, Antwerp, Belgium i Fabric: European Talent, Textielmuseum Tilburg, The Netherlands Extra/Ordinary: Craft and Contemporary Art (Duke U P) Heirlooms (preview), Dovecot Studios, Edinburgh Threads of Feeling, Foundling Museum, London Francoise Dupre: Pattern, Feminism & Hope Sheila Hicks: 50 Years Lace as structural solution Quilts 1700-2010, Victoria & Albert Museum, London Textile Futures: Fashion, Design & Technology (Berg) Tilleke Schwarz, Ruthin Craft Centre, Wales Bezalel: Doing Not DreamingCrafts Magazine 2010 Stephen Jones & the Accent of Fashion, MOMU, Antwerp The Constellation Prize: Jimmy McBride's quilts A Certain Kind of Judgement Taking Time: Craft and the Slow Revolution, Dovecot Tapestry Studio, Edinburgh Karina Thompson: Digital Intervention String, Felt, Thread: The Hierarchy of Art and Craft in American Art (U of Minnesota) ArtCloth, Fairfield City Museum, Sydney, Australia Sitting & Looking, Dovecot Tapestry Studio, Edinburgh Anna Von Mertens: Emanations in Cloth Kristine Fornes Innate Portability Fancy Stitch South Africa Japanese Sashiko Textiles, Collins Gallery, Glasgow Alabama Chanin: Hand-Sewn in America Extraordinary Measures, Belsay Hall, Northumberland Reflections on “Upcycling Textiles” Textile Designers at the Cutting Edge (Laurence King) Contemporary Textiles: the fabric of fine art (Black Dog Publishers) Maurizio Anzeri Paper Dreams: Su Blackwell Mariem Besbes Fashion in Fiction: Text and Clothing in Literature, Film & Television (Berg) Weaving Truth: Essays on Language and the Female in Greek Thought (Harvard U P) Commonly Felt: The Oldest Smart Textile Rozanne Hawksley, Mission Gallery, Swansea A Vivid Vocabulary Follow a Thread: Anna Ray A Stubborn Imagination: Nnenna Okore Meet Your Maker, National Museum of Scotland, Edinburgh Mary Lloyd Jones, Ruthin Craft Centre, Wales Su Blackwell, Scottish Gallery, Edinburgh Ministry of Sound: Louisa Bufardeci Recycle, Keep & Grow: Sustainable Design Stroud International Textile Festival (preview), Museum in the Park, Stroud Art Tapestry 2 Ana Maria Hernando Follow a Thread, Dovecot Tapestry Studio, Edinburgh Eva Hesse Studiowork, Fruitmarket, Edinburgh Shiny, Happy People: Carrington, Larkin & Coward Henry Moore Textiles, Dovecot Tapestry Studio, Edinburgh Michael Olszewski: His Dark Materials Sera Waters: The Dark Side Nicholas Hlobo: Uhambo, Tate Modern, London Annette Messager, The Hayward, London Deirdre Nelson: Arcadia Commission Cocona Natural Technology New & Norwegian: A World of Folk, Stavanger Devorah Sperber: Pixel Perefect Alice Kettle, Belger Arts Center, Kansas City Art Tapestry 2: European Tapestry Forum, Bergen, Norway Beyond the Function of Making, the Process of Making Handmade Nation: Rise of DIY, Art, Craft, and Design (Princeton Architectural Press) Nnenna Okore: Ulukububa, October Gallery, London Desconocida: Unknown, University of Creative Arts, Epsom Norwegian Fashion Designs, Museum of Decorative Arts, Oslo Deirdre Nelson: tales of the unexpected Lacey Jane Roberts & Sophie Horton Persistent Visions: Andrea Dezso Seamless: Dutes Miller & Stan Shellabarger Angaza Africa: African Art Now by Chris Spring Yinka Shonibare (Prestel) The Diana Springall Collection Anthea Walsh: line of enquiry Tanvi Kant: working with little Liz Williamson & Sara Linsday Jo Barker, Scottish Gallery, Edinburgh Ties that Bind: Paulina Ortiz Fabric of Myth, Compton Verney, Warwickshire Tara Donovan, ICA, Boston Rebecca Earley Upcycles Style Home Sweet Home: Michelle Loughlin Another Girl in the Neighbourhood Maison Martin Margiela 20, MOMU, Antwerp Object as Muse, Discovery Centre, Winchester Mechanical Drawing: The Schiffli Project Stitching Stories: Garfen, Dezso & Cogan Ase Ljones: a delicate touch Get Knitted, Millenium Gallery, Sheffield Textiles Today: a global survey of trends and traditions Loops / Map / Fibre / Weave / Buttons / Now Wool 100% Marizio Anzeri: Tales of the Unexpected Philippa Lawrence: Ways of Seeing Cloth & Culture NOW, Sainsbury Centre, Norwich Deirdre Nelson: Patience, Compassion & Empathy An Embroiderer’s Eye: the Diana Spingall Collection Marian Bijlenga: Drawing on Nature Cloth & Culture NOW, Sainsbury Centre, Norwich Dirty Beauty Virtual Fabrics & Perishable Maps By Hand: The Use of Craft in Contemporary Art (Princeton Architectural Press) Lausanne to Beijing Fiber Biennial, Suzhou, China Jennifer Angus: Super Bugs Suspended in Time: Helene Soubeyran Sustainable Fashion Lycia Trouton: Irish Linen Memorial Janet Echelman: Net Work Hilary Bower: Bleak & Beautiful Alice Kettle: Telling Stories With Their Eyes The Intelligence of Plants Yinka Shonibare: Postcolonial Hybrid Batik Transitions, Worthing Museum & Art Gallery, West Sussex Jane Kenyon: Surgical Thread Clio Padovani in conversation with Jessica Hemmings Carol Collet: breaking smart-textile stereotypes Rowena Dring: A Question of Perception NUNO: Tradition & Technology Cocooned/White/Reflection Reeling in the Years: Film, Video, Textile, Time Staying the course: all things Equestrian Could You Repeat That? Simone Pheulpin Laura Nathan: Experiments with Soap & Hair Maxine Bristow: Everyday Inspirations Salt: A taste of England Kay Khan: Vessels of Meaning Mariel Clarmont's Miniature Cosmos Sheila Hicks: Weaving as Metaphor Uncomfortable Truths, V&A, London Mariem Besbes Laura Willits: Beading Light & Dark Tilleke Schwarz: Maps of Modern Life Out of the Ordinary: Spectacular Craft, V&A, London Charla Khanna Barley Massey: Eclectic Eco Designer Pixelation Makes its Point Radical Lace & Subversive Knitting, MAD, New York Jane Harris: Motion Capture Restoration Marina Dempster: Markings in Yarn Caroline Broadhead: interrupted gaze Indigo: A Blue to Dye For, Whitworth, Manchester Future, Past & Present: NUNO Julia Griffiths Jones: Metal Guru Face Value: Lotus Peles-Chen Relationships: Focus Finland, Grace Barrad Design Center, Surrey Caroline Broadhead, Barret Marsden, London Sally Greaves-Lord's Walls of Colour Threadbare Beauty: Worn Away Patterns Threadbare, Waterside Arts Centre, Manchester Kori Newkirk: Painter without Paint Missing Piece: Jen Jones Welsh Quilts Hannah Greenaway's Knitted Busts Maxine Bristow: Sensual Austerity, The Hub, Sleaford Suzanne Lee Mark Pollack Fragile Beauty: Veronica Grassi John Hinchcliffe, Crafts Study Centre, Farnham Sense of Identity: Contemporary Scottish Textiles Marie-Noelle Fontan: Collections Woven Edun Live Association of Israel's Decorative Arts PLA Fibre in Textiles: Corn on the Job Museum Interventions Linda Grashoff: Photographs Made Tactile Poems to Wear, Myrna Myers Gallery, Paris Rob Sidner of Mingei International Museum Turning the World Upside Down: Peter Clark Digital Perceptions: Technology as Tool Polished Light Marie-Laure Ilie Kazuhito Takadoi: Organic Patterns Claire Heminsley: Rooted in the Everyday Making the Transition: Five RISD Graduates Sign Post to a New Space International Arts & Crafts Julia Griffiths Jones Second Skin Eileen Gray: A Foothold in History Dr Andrew Dent of Material ConneXion Child's Play: Maggy Rozycki Hiltner Knowear: Human Billboards Ramses Wissa Wassef Art Centre, Egypt Maggie Orth of International Fashion Machines Quilts: Joan Schulze Jerwood Applied Arts Prize 2005: Metal Nicola Naismith Real Physical Labor, Material Understanding and the Wisdom of the Weaver’s Hands Jilly Edwards: Off the Wall Show Time Festival of Quilts Nui Project Japan Artwear: Fashion & Anti-fashion Stones & Fibre: Sue Lawty Bleu d'Enfer Import Export & Global Local Jil Weinstock: Revealed in Rubber Mical Aloni: Riches of Stitches Yohji Yamamoto: Dream Shop Lucy Orta: Adorned in Ideas Yohji Yamamoto phora by Anne Hamilton Well Fashioned: Eco Style in the UK Boys Who Sew Mike Mills: a thumb in every pie Olga de Amaral Tim Harding: The Fabric of Our Lives Not-So-Pretty Paper Historically Inaccurate Decorative Arts 2121: Reiko Sudo & NUNO Fostering Dialogue: Wearable Futures Conference Galya Rosenfeld Islamic Project: Oasis Maria Blaisse Rebecca Lyon: Shielding the Torso Defining a Movement: Textile & Fibre Art The Medium is the Message: Simone Pheulpin Knit 2 Together: Concepts in Knitting Paradise Lost? contemporary toile de Jouy Greek Myths by Carol Shinn & Alice Kettle Snapshot in Stitch: Maria E. Pineres Anna Von Mertens: Black & White, Shades of Grey El Anatsui: Forging Fabrics of Tin Chunghie Lee: multiple layers Jeanette Sendler: the thin red line Zandra Rhodes: A Lifelong Love Affair with Textiles Spectres: When Fashion Turns Back Interface: An Exhibition of International Contemporary Art Textiles Elaine Reicheck: Do the Write Thing Suspensions: Anne Mudge PURL: six artists inspired by MoDA's collections Cristin Searles: On the Sculpture Trail Michael Brennand-Wood Susan Stockwell: Revisiting the Colonial The Way of Some Flesh Myra Burg: California Dreaming Louise Bourgeois: Stitches in Time Pain Couture by Jean-Paul Gaultier Fiberart International Horses: Circling the World Dosa: deliberately different Words are not enough: textile narrative Annette Messager: sous vent (wind back) Alice Kettle's Mythscapes Anna Von Mertens' Conceptual Craft Barbara Chapman: Suspension of Disbelief Embroidered Art of Tilleke Schwarz A Bridge Between Britain and Japan: through the surface The Space Between Conference Sharon Peoples, Catherine K., Zoe MacDonnell Candy Kuhl: Assemblage & Artist's Books Beth Barron: Gathering Histories Julie Ryder's Samplers of Stains Shadows and Shibori: Marie-Helen Guelton Do-Ho Suh Assemblage and Artists' Books Postcolonial Discourse in Garment Form Telephone: Artists Connect to Artists Tom Lundberg: Contemporary Narrative Samplers Quilt Bonanza: Kaffe Fassett's Collection of Quilts & Costumes Raveled Yarns and Navajo Blankets Shibori on Knits Jilli Blackwood: The Joy of Living Wearable Art & Conceptual Clothing Textiles that Glow Nicole Mollett: Wear Ables A Fine Line: Anne Wilson Profile Contemporary Interpretations of Pojagi Mirja Puppel: Momentary Beauty Silk Dichotomies Kaffe Fassett Weaving the Word & Architecture and the Text Deirdre Nelson: My Dear John and Lush Betty The Joy of Living: Jilli Blackwood NUNO: Japanese Innovation Pattern Crazy Telephone: Artists Connect to Artists re:design NUNO Books (NUNO Corporation) Dresses Woven to Fit: Gabriele Wiegand Fibre and Slate Sculpture of Francoise Giannesini Scrapheap Challenge: Carol Shinn's Embroidery Hair & Contemporary Fibre Art Tracey Emin: Stitching Up the Extreme Threads of Memory: Contemporary Narrative Textiles New at NUNO Beth Nobles Yuh Okano: Tradition and Technology Anne Mudge: TapRoots Paula Santiago: Septum Congruity in Nature… The Patterns We Find Reinventing Textiles Volume 2 Words & Textiles Tilleke Schwarz: Bombarded with Data Jackie Matisse: Art that Soars John Garrett Retrospective Review Beyond Thread Liz Collins: Between Chaos and the Functional Anne Marie Power and Anne Wilson (Telos Art Publishing) Inspired by Ikat: Contemporary Casement Fabrics
