- 11.2023 Testing Textile Texts
- 07.2023 Textile: witness to the world
- 03.2023 Rehearsing Our Futures: textile labour in speculative/science fiction (keynote)
- 12.2022 In My Experience: the personal in academic research
- 09.2022 Old Materialism
- 09.2022 Curating Textiles Today
- 05.2021 Lost in Translation (keynote)
- 05.2021 PONTO: Textile Art in Perspective
- 05.2021 Textile Art & the Global South
- 03.2021 Warping Tradition: Faig Ahmed in Conversation
- 03.2021 Textiles Travel
- 01.2021 Hands Mind Craft
- 10.2020 Possibilities/Posibilidades
- 09.2020 Dan Halter dialogue
- 08.2020 Human-Material seminar
- 08.2020 Meaningful Craft
- 01.2020 Institut Teknologi Bandung
- 12.2019 Crafting Culture
- 10.2019 Cultural Threads
- 05.2019 Exhibition Making
- 03.2019 One Decade of Words
- 12.2018 The Textile Art of Tomorrow
- 12.2018 What is NOT tapestry today?
- 12.2018 Tracing Migration Through Textiles symposium
- 11.2018 Zeitz, Cape Town, South Africa
- 11.2018 Moholy-Nagy University Doctoral School
- 09.2018 Tacit Knowledge
- 08.2018 Craft in Yvonne Vera’s fiction
- 07.2018 Undone Symposium
- 05.2018 Challenging Knitting
- 03.2018 Textile Art in 2028
- 01.2018 Where Theory and Practice Meet... or not
- 01.2018 Navigating Failure
- 10.2017 Writing Textiles
- 10.2017 Craft & Ethics
- 10.2017 Who Speaks Now?
- 10.2017 Barometer Gallery, Sydney
- 10.2017 Lessons in Tacit Knowledge
- 08.2017 Intersections Keynote
- 08.2017 Homo Faber Part II
- 05.2017 Travelling Textiles: Tourism Souvenirs & National Identities
- 03.2017 Craft & Labour lecture
- 02.2017 Craft & Labour seminar
- 11.2016 Making Meaning
- 10.2016 Migrations exhibition
- 10.2016 The Matter of Methods
- 10.2016 Migrations exhibition talk
- 09.2016 Floppy Cloth lecture
- 08.2016 Korea Bojagi Forum
- 06.2016 Craft & Labour lecture
- 05.2016 Making Meaning: craft/labour
- 04.2016 Trøndelag Senter lecture
- 03.2016 Cultural Threads lecture
- 10.2015 Migrations Exhibition
- 09.2015 weaving: thread/word/thought
- 05.2015 Thinking Knitting
- 03.2015 Cultural Threads
- 03.2015 Cultural Threads: transnational textiles today
- 02.2015 Cultural Threads symposium
- 11.2014 Thinking Knitting
- 10.2014 Optical Illusions lecture
- 09.2014 Irish Linen Memorial radio interview
- 08.2014 The Tales Materials Tell
- 03.2014 Cultural Production lecture
- 02.2014 From a Textile Perspective talk with Alice Kettle
- 12.2013 Cultural Threads lecture at INHA
- 11.2013 Lectures on The Textile Reader
- 11.2013 Textile Fictions lecture
- 10.2013 Making Writing lecture
- 07.2013 DHS Conference Towards Global Histories of Design
- 06.2013 The Biennale for Crafts & Design
- 02.2013 Writing about Practice: Material Words
- 02.2013 Writing on Making: bridging the theory/practice divide
- 11.2012 Crafting Words
- 11.2012 Taste & Site: surveying the new senses of textile art
- 10.2012 Introversion and Knitting: Rethinking Solitary Production
- 10.2012 What does post-disciplinarity mean for curation today?
- 09.2012 Introversion & Knitting: rethinking solitary production (keynote)
- 07.2012 Textile & Animation Theory: who needs it?
- 05.2012 Pairings: smart writing about textiles lecture
- 12.2011 Postcolonial Textiles seminar
- 09.2011 In Conversation with Eleri Mills
- 06.2011 Postcolonial Textiles: Negotiating Dialogue (keynote speaker)
- 05.2011 Knowing Needlework lecture
- 09.2010 Warp & Weft symposium
- 09.2010 Lessons from the Textile Reader
- 08.2009 Spoken, Printed & Virtual: Zimbabwe's Non-Linear Narration of Memory
- 05.2009 Closing Remarks: Off Which Grid?
- 05.2009 Depictions of Dress in southern African Fiction
- 04.2009 Ambi Generation: second skins
- 05.2008 Memory and Time: Contemporary Written and Woven Narratives
- 11.2007 Postcolonial Literature's Quilting Metaphors
- 10.2007 The Future of Written Communication in Art & Design Education
- 09.2007 Constructions of Dress in southern African Fiction
- 10.2006 Speaking When No One Else Can: Textiles and Censorship
- 09.2005 Second Skins: Pinar Yolacan, Tissue Culture and Art & the Ambi Generation
- 05.2005 Altered Surfaces: Cloth and Skin Bleaching in Yvonne Vera's Without a Name & Butterfly Burning
- 03.2005 Lessons from 'Writing on Making: the literature and theory of contemporary craft'
- 04.2004 Hybrid Sources: Depictions of Dress in Postcolonial Fibre Art
- 12.2002 Texts on Textiles: The Weya Applique Project
- 11.2002 Reading Textiles Through Literature: Zimbabwe's Craft Tradition
- 09.2002 Appropriated Threads: The Unpicking and Reweaving of Imported Textiles