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02.2024 Thinking in Motion
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07.2023 batik
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03.2023 Can That Be Taught? Lessons in Embodied Knowledge from Memoir Writing for Craft & Design Education
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03.2023 Foreword to Design Materials and Making for Social Change
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01.2023 Material Scent: textiles beyond touch
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01.2023 Toward a Minor Textile Architecture
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09.2022 Violence: Materiality
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08.2021 Maximum Space around the Typewriter: Yvonne Vera and the Craft of Writing
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12.2020 A Dialogue about Social Weaving: The Weaving Kiosk & Weaving Lab
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05.2020 Real Physical Labor
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04.2020 Faith Ringgold: Publishing on Cloth
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03.2020 Material Matters in Paintings at the End of an Era
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02.2020 Textual Agency: pitfalls & potentials
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05.2019 How Do You Footnote a Smile?
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01.2019 Floppy Cloth: textile exhibition strategies inside the white cube
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12.2018 Knitting after Making: what we do with what we make
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11.2018 Rereading and Revising: Acknowledging the smallness (sometimes) of craft
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02.2015 Dutch wax-resist textiles: Roger Gerards, creative director of Vlisco, in conversation with Jessica Hemmings
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02.2014 Knitting and Well-being
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01.2014 Crafting Words
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10.2010 Textile Theory: do we need it?
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09.2010 Material Meaning
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05.2010 Knitting in Southern African Fiction
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01.2008 Grown Fashion: Animal, Vegetable or Plastic?
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10.2007 The Future of Written Communication in Art and Design Education
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05.2005 Altered Surfaces: Cloth and Skin Bleaching in Yvonne Vera's Without a Name & Butterfly Burning
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04.2004 Hybrid Sources: Depictions of Dress in Postcolonial Fibre Art
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01.2004 "How All Life is Lived, in Patches": Quilting Metaphors in the Fiction of Yvonne Vera
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12.2002 Appropriated Threads: The Unpicking and Reweaving of Imported Textiles
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12.2002 Texts on Textiles: The Weya Applique Project
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08.2002 The Voice of Cloth: interior dialogues and exterior skins