Jessica Hemmings

• 02.2026 Banners for Heresies
• 02.2026 Crafting Extremes in Andreas Eschbach’s The Hair-Carpet Weavers
• 01.2026 Textile Tracing: from Sensory Manipulation to AI Authentication
• 11.2025 Made for European Trade by Prisoners in Java
• 10.2025 Iris van Herpen: Collaboration
• 10.2025 Iris van Herpen: Tools
• 10.2025 Iris van Herpen: The Body
• 10.2025 Afterword: Humanitarian Handicraft
• 07.2025 Anna-Maria Saar: Darning Invisibility
• 12.2024 Cross Pollination: An Interview Between Jessica Hemmings and Yuriko Saito
• 02.2024 Makers Who Move: Solitary Exercise & the Creative Mind
• 02.2024 Thinking in Motion
• 07.2023 batik
• 03.2023 Can That Be Taught? Lessons in Embodied Knowledge from Memoir Writing for Craft & Design Education
• 03.2023 Foreword
• 01.2023 Material Scent: textiles beyond touch
• 01.2023 Toward a Minor Textile Architecture
• 09.2022 Violence: Materiality
• 08.2021 Maximum Space around the Typewriter: Yvonne Vera and the Craft of Writing
• 12.2020 A Dialogue about Social Weaving: The Weaving Kiosk & Weaving Lab
• 05.2020 Real Physical Labor
• 04.2020 Faith Ringgold: Publishing on Cloth
• 03.2020 Material Matters in Paintings at the End of an Era
• 02.2020 Textual Agency: pitfalls & potentials
• 05.2019 How Do You Footnote a Smile?
• 01.2019 Floppy Cloth: textile exhibition strategies inside the white cube
• 12.2018 Knitting after Making: what we do with what we make
• 11.2018 Rereading and Revising: Acknowledging the smallness (sometimes) of craft
• 02.2015 Dutch wax-resist textiles: Roger Gerards, creative director of Vlisco, in conversation with Jessica Hemmings
• 02.2014 Knitting and Well-being
• 01.2014 Crafting Words
• 10.2010 Textile Theory: do we need it?
• 09.2010 Material Meaning
• 05.2010 Knitting in Southern African Fiction
• 01.2008 Grown Fashion: Animal, Vegetable or Plastic?
• 10.2007 The Future of Written Communication in Art and Design Education
• 05.2005 Altered Surfaces: Cloth and Skin Bleaching in Yvonne Vera's Without a Name & Butterfly Burning
• 04.2004 Hybrid Sources: Depictions of Dress in Postcolonial Fibre Art
• 01.2004 "How All Life is Lived, in Patches": Quilting Metaphors in the Fiction of Yvonne Vera
• 12.2002 Appropriated Threads: The Unpicking and Reweaving of Imported Textiles
• 12.2002 Texts on Textiles: The Weya Applique Project
• 08.2002 The Voice of Cloth: interior dialogues and exterior skins