Jessica Hemmings

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  • 05.2025 Carceral Craft
  • 04.2025 Aleksandra Gaca’s Acoustic Interventions
  • 04.2025 Leonore Antunes: the constant inequality of leonor’s days*
  • 03.2025 Marigold Beaders of Zimbabwe
  • 03.2025 Subjective and Ephemeral: the olfactory properties of cloth
  • 02.2025 Britta Marakat-Labba Sylkvasse sting
  • 12.2024 Threads of Dissent
  • 12.2024 Cross Pollination: An Interview Between Jessica Hemmings and Yuriko Saito
  • 10.2024 The Labour of Craft
  • 08.2024 Sahlah Davids: Amatie
  • 08.2024 Walter Oltmann: Metamorphosis
  • 08.2024 El Anatsui: Behind the Red Moon
  • 05.2024 Teresa Lanceta
  • 04.2024 Otobong Nkanga: Craving for Southern Light
  • 03.2024 Enduring: The Politics of Teresa Lanceta’s Textile Art
  • 03.2024 What are Postcolonial Textiles? What are Decolonial Textiles?
  • 03.2024 Geometrically Wired: IO Van Oostveldt - Between Clothing & Art
  • 02.2024 Makers Who Move: Solitary Exercise & the Creative Mind
  • 02.2024 Thinking in Motion
  • 01.2024 Teresa Lanceta: Weaving as Open Source
  • 11.2023 Testing Textile Texts
  • 10.2023 Mirrored & Inverted: Kustaa Saksi's Jacquard Weaving
  • 09.2023 Matilda Dominique
  • 07.2023 batik
  • 07.2023 Textile: witness to the world
  • 06.2023 Sheila Hicks: Travelling Threads
  • 05.2023 Studio Formafantasma’s Oltre Terra
  • 05.2023 The Textile Reader (2nd edition)
  • 04.2023 Marjolein Hessels: a harvest of colour
  • 03.2023 Can That Be Taught? Lessons in Embodied Knowledge from Memoir Writing for Craft & Design Education
  • 03.2023 PICASSO/CHANEL
  • 03.2023 Foreword
  • 03.2023 Emma Talbot
  • 03.2023 Rehearsing Our Futures: textile labour in speculative/science fiction (keynote)
  • 02.2023 Elena Blasco
  • 01.2023 Textile Memories
  • 01.2023 Material Scent: textiles beyond touch
  • 01.2023 Toward a Minor Textile Architecture
  • 12.2022 Sanaa Gateja: the bead king
  • 12.2022 In My Experience: the personal in academic research
  • 12.2022 Seventeen Exceptions to Nine Observations about Textile Art Today
  • 11.2022 David Escalona
  • 09.2022 Violence: Materiality
  • 09.2022 Old Materialism
  • 09.2022 Curating Textiles Today
  • 06.2022 Paula Rego
  • 06.2022 Florencia Walfisch
  • 02.2022 Mycotech Lab
  • 11.2021 Franz West
  • 10.2021 Array Collective
  • 08.2021 Miquel Barceló
  • 08.2021 Maximum Space around the Typewriter: Yvonne Vera and the Craft of Writing
  • 05.2021 Lost in Translation (keynote)
  • 05.2021 PONTO: Textile Art in Perspective
  • 05.2021 Textile Art & the Global South
  • 04.2021 The Power of Craft
  • 03.2021 Trusting Play: Yuka Oyama
  • 03.2021 Flights of Fancy
  • 03.2021 Textiles Travel
  • 03.2021 Warping Tradition: Faig Ahmed in Conversation
  • 02.2021 Factors We Will Need for Times to Come
  • 01.2021 Hands Mind Craft
  • 12.2020 A Dialogue about Social Weaving: The Weaving Kiosk & Weaving Lab
  • 12.2020 Sep Verboom & Livable®
  • 10.2020 Masks
  • 10.2020 Possibilities/Posibilidades
  • 10.2020 Côme Touvay
  • 09.2020 Dan Halter dialogue
  • 08.2020 Human-Material seminar
  • 08.2020 Luam Melake
  • 08.2020 Alpha Crucis
  • 08.2020 Kustaa Saski & Anne Wilson
  • 08.2020 Athi-Patra Ruga
  • 08.2020 Meaningful Craft
  • 07.2020 In a Cloud, In a Wall...
  • 06.2020 To Recap: 2015-2020
  • 06.2020 Vincent Rumahloine
  • 06.2020 Thoughts from a Slow Internet in Spanish Lockdown
  • 05.2020 Pacita Abad
  • 05.2020 Real Physical Labor
  • 04.2020 Faith Ringgold: Publishing on Cloth
  • 03.2020 Material Matters in Paintings at the End of an Era
  • 02.2020 Textual Agency: pitfalls & potentials
  • 01.2020 Institut Teknologi Bandung
  • 01.2020 Fugitive Nature
  • 01.2020 Bente Sætrang
  • 12.2019 Crafting Culture
  • 10.2019 Cultural Threads
  • 10.2019 Liberty at Tjolöholm Slott
  • 10.2019 Anna Ray
  • 09.2019 Weaving Beyond the Bauhaus
  • 07.2019 Renstrom: archive of instinct
  • 07.2019 Christien Meindertsma
  • 07.2019 Richard Saja
  • 06.2019 Reading Material
  • 05.2019 Exhibition Making
  • 05.2019 Dulur: Anna Þóra Karlsdottir
  • 05.2019 How Things Get Made
  • 05.2019 How Do You Footnote a Smile?
  • 05.2019 Vitamin T: threads & textiles in contemporary art (Phaidon)
  • 04.2019 The Textile Traveller
  • 03.2019 One Decade of Words
  • 02.2019 Igshaan Adams
  • 01.2019 Floppy Cloth: textile exhibition strategies inside the white cube
  • 12.2018 Iris van Herpen
  • 12.2018 Knitting after Making: what we do with what we make
  • 12.2018 The Textile Art of Tomorrow
  • 12.2018 What is NOT tapestry today?
  • 12.2018 Tracing Migration Through Textiles symposium
  • 11.2018 Zeitz, Cape Town, South Africa
  • 11.2018 Moholy-Nagy University Doctoral School
  • 11.2018 Rereading and Revising: Acknowledging the smallness (sometimes) of craft
  • 10.2018 Navigating Cultural Threads
  • 10.2018 Women Design (Francis Lincoln)
  • 09.2018 Tacit Knowledge
  • 08.2018 Craft in Yvonne Vera’s fiction
  • 07.2018 Undone Symposium
  • 07.2018 Seeing Things
  • 07.2018 Lisa Oppenheim & Derrick Adams
  • 05.2018 Challenging Knitting
  • 04.2018 Contemporary Twist with Ikat
  • 03.2018 Textile Art in 2028
  • 03.2018 Hannah Ryggen
  • 01.2018 Where Theory and Practice Meet... or not
  • 01.2018 Navigating Failure
  • 01.2018 Birgitta Nordström
  • 01.2018 Hildur Bjarnadottir
  • 01.2018 mud cloth
  • 10.2017 Writing Textiles
  • 10.2017 Craft & Ethics
  • 10.2017 Who Speaks Now?
  • 10.2017 Barometer Gallery, Sydney
  • 10.2017 Lessons in Tacit Knowledge
  • 09.2017 Wings of a Ragtag Quest
  • 09.2017 Pleasures & Misdemeanours
  • 08.2017 Double Dutch
  • 08.2017 Intersections Keynote
  • 08.2017 Homo Faber Part II
  • 06.2017 Textiles, Taxes & Translations
  • 06.2017 Jessica Ogden: Still
  • 06.2017 Christien Meindertsma
  • 05.2017 Travelling Textiles: Tourism Souvenirs & National Identities
  • 04.2017 Kimsooja
  • 04.2017 Out of Hand
  • 03.2017 Louise Bourgeois
  • 03.2017 Liza Lou
  • 03.2017 Craft & Labour lecture
  • 02.2017 Craft & Labour seminar
  • 02.2017 Gaolbreak: Angela Fulcher
  • 01.2017 Christian Thompson
  • 12.2016 Toril Johannessen’s Unlearning Optical Illusions
  • 12.2016 Mending Fashion
  • 11.2016 Kimsooja: Archive of Mind
  • 11.2016 Making Meaning
  • 11.2016 Contextile
  • 10.2016 Hangzhou Triennial 2016
  • 10.2016 Migrations exhibition
  • 10.2016 The Matter of Methods
  • 10.2016 Migrations exhibition talk
  • 10.2016 yellow, weaving & rubble
  • 09.2016 Floppy Cloth lecture
  • 08.2016 Korea Bojagi Forum
  • 07.2016 Zakka: Goods & Things
  • 07.2016 P. Hellsing & Conceptual Fatigue
  • 06.2016 Doris Salcedo
  • 06.2016 Craft & Labour lecture
  • 05.2016 Making Meaning: craft/labour
  • 05.2016 Fiber
  • 04.2016 Trøndelag Senter lecture
  • 03.2016 Cultural Threads lecture
  • 01.2016 Philosophy: Korean label Oma
  • 10.2015 Migrations Exhibition
  • 09.2015 weaving: thread/word/thought
  • 08.2015 J. Morgan Puett: Labor Portraits
  • 08.2015 What Do I Need to Do to Make It OK?
  • 08.2015 Maggie Orth interview
  • 06.2015 Kudzanai Chiurai
  • 05.2015 Migrations exhibition
  • 05.2015 Thinking Knitting
  • 05.2015 Make Believe
  • 05.2015 From Back to Front exhibition
  • 03.2015 Bauhaus Weaving Theory (U Minnesota Press)
  • 03.2015 Kustaa Saksi
  • 03.2015 Signature Cloths
  • 03.2015 Cultural Threads
  • 03.2015 Cultural Threads: transnational textiles today
  • 02.2015 Gabrielle Soyer
  • 02.2015 Cultural Threads symposium
  • 02.2015 Dutch wax-resist textiles: Roger Gerards, creative director of Vlisco, in conversation with Jessica Hemmings
  • 01.2015 Cultural Threads: transnational textiles today
  • 12.2014 The Future of Fashion is Now & Building with Textiles
  • 12.2014 Women in Clothes (Particular Books)
  • 11.2014 Thinking Knitting
  • 11.2014 The Needle's Eye
  • 10.2014 Optical Illusions lecture
  • 09.2014 Irish Linen Memorial radio interview
  • 09.2014 Slow Looking
  • 08.2014 The Tales Materials Tell
  • 08.2014 Form through Colour
  • 08.2014 Faig Ahmed
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