Jessica Hemmings

• 04.2025 Aleksandra Gaca’s Acoustic Interventions
• 04.2025 Leonore Antunes: the constant inequality of leonor’s days*
• 03.2025 Marigold Beaders of Zimbabwe
• 03.2025 Subjective and Ephemeral: the olfactory properties of cloth
• 02.2025 Britta Marakat-Labba Sylkvasse sting
• 12.2024 Threads of Dissent
• 12.2024 Cross Pollination: An Interview Between Jessica Hemmings and Yuriko Saito
• 10.2024 The Labour of Craft
• 08.2024 Sahlah Davids: Amatie
• 08.2024 Walter Oltmann: Metamorphosis
• 08.2024 El Anatsui: Behind the Red Moon
• 05.2024 Teresa Lanceta
• 04.2024 Otobong Nkanga: Craving for Southern Light
• 03.2024 Enduring: The Politics of Teresa Lanceta’s Textile Art
• 03.2024 What are Postcolonial Textiles? What are Decolonial Textiles?
• 03.2024 Geometrically Wired: IO Van Oostveldt - Between Clothing & Art
• 02.2024 Makers Who Move: Solitary Exercise & the Creative Mind
• 02.2024 Thinking in Motion
• 01.2024 Teresa Lanceta: Weaving as Open Source
• 11.2023 Testing Textile Texts
• 10.2023 Mirrored & Inverted: Kustaa Saksi's Jacquard Weaving
• 09.2023 Matilda Dominique
• 07.2023 batik
• 07.2023 Textile: witness to the world
• 06.2023 Sheila Hicks: Travelling Threads
• 05.2023 Studio Formafantasma’s Oltre Terra
• 05.2023 The Textile Reader (2nd edition)
• 04.2023 Marjolein Hessels: a harvest of colour
• 03.2023 Can That Be Taught? Lessons in Embodied Knowledge from Memoir Writing for Craft & Design Education
• 03.2023 PICASSO/CHANEL
• 03.2023 Foreword
• 03.2023 Emma Talbot
• 03.2023 Rehearsing Our Futures: textile labour in speculative/science fiction (keynote)
• 02.2023 Elena Blasco
• 01.2023 Textile Memories
• 01.2023 Material Scent: textiles beyond touch
• 01.2023 Toward a Minor Textile Architecture
• 12.2022 Sanaa Gateja: the bead king
• 12.2022 In My Experience: the personal in academic research
• 12.2022 Seventeen Exceptions to Nine Observations about Textile Art Today
• 11.2022 David Escalona
• 09.2022 Violence: Materiality
• 09.2022 Old Materialism
• 09.2022 Curating Textiles Today
• 06.2022 Paula Rego
• 06.2022 Florencia Walfisch
• 02.2022 Mycotech Lab
• 11.2021 Franz West
• 10.2021 Array Collective
• 08.2021 Miquel Barceló
• 08.2021 Maximum Space around the Typewriter: Yvonne Vera and the Craft of Writing
• 05.2021 Lost in Translation (keynote)
• 05.2021 PONTO: Textile Art in Perspective
• 05.2021 Textile Art & the Global South
• 04.2021 The Power of Craft
• 03.2021 Trusting Play: Yuka Oyama
• 03.2021 Flights of Fancy
• 03.2021 Textiles Travel
• 03.2021 Warping Tradition: Faig Ahmed in Conversation
• 02.2021 Factors We Will Need for Times to Come
• 01.2021 Hands Mind Craft
• 12.2020 A Dialogue about Social Weaving: The Weaving Kiosk & Weaving Lab
• 12.2020 Sep Verboom & Livable®
• 10.2020 Masks
• 10.2020 Possibilities/Posibilidades
• 10.2020 Côme Touvay
• 09.2020 Dan Halter dialogue
• 08.2020 Human-Material seminar
• 08.2020 Luam Melake
• 08.2020 Alpha Crucis
• 08.2020 Kustaa Saski & Anne Wilson
• 08.2020 Athi-Patra Ruga
• 08.2020 Meaningful Craft
• 07.2020 In a Cloud, In a Wall...
• 06.2020 To Recap: 2015-2020
• 06.2020 Vincent Rumahloine
• 06.2020 Thoughts from a Slow Internet in Spanish Lockdown
• 05.2020 Pacita Abad
• 05.2020 Real Physical Labor
• 04.2020 Faith Ringgold: Publishing on Cloth
• 03.2020 Material Matters in Paintings at the End of an Era
• 02.2020 Textual Agency: pitfalls & potentials
• 01.2020 Institut Teknologi Bandung
• 01.2020 Fugitive Nature
• 01.2020 Bente Sætrang
• 12.2019 Crafting Culture
• 10.2019 Cultural Threads
• 10.2019 Liberty at Tjolöholm Slott
• 10.2019 Anna Ray
• 09.2019 Weaving Beyond the Bauhaus
• 07.2019 Renstrom: archive of instinct
• 07.2019 Christien Meindertsma
• 07.2019 Richard Saja
• 06.2019 Reading Material
• 05.2019 Exhibition Making
• 05.2019 Dulur: Anna Þóra Karlsdottir
• 05.2019 How Things Get Made
• 05.2019 How Do You Footnote a Smile?
• 05.2019 Vitamin T: threads & textiles in contemporary art (Phaidon)
• 04.2019 The Textile Traveller
• 03.2019 One Decade of Words
• 02.2019 Igshaan Adams
• 01.2019 Floppy Cloth: textile exhibition strategies inside the white cube
• 12.2018 Iris van Herpen
• 12.2018 Knitting after Making: what we do with what we make
• 12.2018 The Textile Art of Tomorrow
• 12.2018 What is NOT tapestry today?
• 12.2018 Tracing Migration Through Textiles symposium
• 11.2018 Zeitz, Cape Town, South Africa
• 11.2018 Moholy-Nagy University Doctoral School
• 11.2018 Rereading and Revising: Acknowledging the smallness (sometimes) of craft
• 10.2018 Navigating Cultural Threads
• 10.2018 Women Design (Francis Lincoln)
• 09.2018 Tacit Knowledge
• 08.2018 Craft in Yvonne Vera’s fiction
• 07.2018 Undone Symposium
• 07.2018 Seeing Things
• 07.2018 Lisa Oppenheim & Derrick Adams
• 05.2018 Challenging Knitting
• 04.2018 Contemporary Twist with Ikat
• 03.2018 Textile Art in 2028
• 03.2018 Hannah Ryggen
• 01.2018 Where Theory and Practice Meet... or not
• 01.2018 Navigating Failure
• 01.2018 Birgitta Nordström
• 01.2018 Hildur Bjarnadottir
• 01.2018 mud cloth
• 10.2017 Writing Textiles
• 10.2017 Craft & Ethics
• 10.2017 Who Speaks Now?
• 10.2017 Barometer Gallery, Sydney
• 10.2017 Lessons in Tacit Knowledge
• 09.2017 Wings of a Ragtag Quest
• 09.2017 Pleasures & Misdemeanours
• 08.2017 Double Dutch
• 08.2017 Intersections Keynote
• 08.2017 Homo Faber Part II
• 06.2017 Textiles, Taxes & Translations
• 06.2017 Jessica Ogden: Still
• 06.2017 Christien Meindertsma
• 05.2017 Travelling Textiles: Tourism Souvenirs & National Identities
• 04.2017 Kimsooja
• 04.2017 Out of Hand
• 03.2017 Louise Bourgeois
• 03.2017 Liza Lou
• 03.2017 Craft & Labour lecture
• 02.2017 Craft & Labour seminar
• 02.2017 Gaolbreak: Angela Fulcher
• 01.2017 Christian Thompson
• 12.2016 Toril Johannessen’s Unlearning Optical Illusions
• 12.2016 Mending Fashion
• 11.2016 Kimsooja: Archive of Mind
• 11.2016 Making Meaning
• 11.2016 Contextile
• 10.2016 Hangzhou Triennial 2016
• 10.2016 Migrations exhibition
• 10.2016 The Matter of Methods
• 10.2016 Migrations exhibition talk
• 10.2016 yellow, weaving & rubble
• 09.2016 Floppy Cloth lecture
• 08.2016 Korea Bojagi Forum
• 07.2016 Zakka: Goods & Things
• 07.2016 P. Hellsing & Conceptual Fatigue
• 06.2016 Doris Salcedo
• 06.2016 Craft & Labour lecture
• 05.2016 Making Meaning: craft/labour
• 05.2016 Fiber
• 04.2016 Trøndelag Senter lecture
• 03.2016 Cultural Threads lecture
• 01.2016 Philosophy: Korean label Oma
• 10.2015 Migrations Exhibition
• 09.2015 weaving: thread/word/thought
• 08.2015 J. Morgan Puett: Labor Portraits
• 08.2015 What Do I Need to Do to Make It OK?
• 08.2015 Maggie Orth interview
• 06.2015 Kudzanai Chiurai
• 05.2015 Migrations exhibition
• 05.2015 Thinking Knitting
• 05.2015 Make Believe
• 05.2015 From Back to Front exhibition
• 03.2015 Bauhaus Weaving Theory (U Minnesota Press)
• 03.2015 Kustaa Saksi
• 03.2015 Signature Cloths
• 03.2015 Cultural Threads
• 03.2015 Cultural Threads: transnational textiles today
• 02.2015 Gabrielle Soyer
• 02.2015 Cultural Threads symposium
• 02.2015 Dutch wax-resist textiles: Roger Gerards, creative director of Vlisco, in conversation with Jessica Hemmings
• 01.2015 Cultural Threads: transnational textiles today
• 12.2014 The Future of Fashion is Now & Building with Textiles
• 12.2014 Women in Clothes (Particular Books)
• 11.2014 Thinking Knitting
• 11.2014 The Needle's Eye
• 10.2014 Optical Illusions lecture
• 09.2014 Irish Linen Memorial radio interview
• 09.2014 Slow Looking
• 08.2014 The Tales Materials Tell
• 08.2014 Form through Colour
• 08.2014 Faig Ahmed
• 06.2014 Toshiko MacAdam